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・ Marius Bjugan
・ Marius Boldt
・ Marius Bonnet
・ Marius Borgeaud
・ Marius Bratu
・ Marius Brenciu
・ Marius Broening
・ Marius Bunescu
・ Marius Bâtfoi
・ Marius Canard
・ Marius Casadesus
・ Marius Chaîne
・ Marius Christensen
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・ Marius Coetzer
Marius Constant
・ Marius Constantin
・ Marius Copil
・ Marius Corbett
・ Marius Croitoru
・ Marius Curteanu
・ Marius Curtuiuș
・ Marius Căta-Chițiga
・ Marius de Romanus
・ Marius de Vries
・ Marius de Zayas
・ Marius Delport
・ Marius Dewilde
・ Marius Doboș
・ Marius Dueholm


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Marius Constant : ウィキペディア英語版
Marius Constant

Marius Constant (7 February 192515 May 2004) was a Romanian-born French composer and conductor. Although known in the classical world primarily for his ballet scores, his most widely known music was the iconic theme for the ''Twilight Zone'' TV series.〔(Marius Constant's obituary at Filmmusicsociety.org )〕
==Career==
Constant was born in Bucharest, Romania, and studied piano and composition at the Bucharest Conservatory, receiving the George Enescu Award in 1944. In 1946 he moved to Paris, studying at the Conservatoire de Paris with Olivier Messiaen, Tony Aubin, Arthur Honegger and Nadia Boulanger. His compositions earned several prizes. From 1950 on he was increasingly involved with electronic music and joined Pierre Schaeffer's'' Groupe de Recherche de Musique Concrète''.
From 1956 to 1966 Constant conducted at the Ballets de Paris, then directed by Roland Petit. To this period belong the numerous ballet scores for Petit and Maurice Béjart, namely: ''Haut-voltage'' (1956), ''Contrepointe'' (1958), ''Cyrano de Bergerac'' (1959), ''Éloge de la folie'' (1966) and ''Paradis perdu'' (1967). For the 1957 Aix-en-Provence Festival 1957 he wrote a piano concerto, but won wider recognition for the premiere, conducted by Leonard Bernstein, of ''24 Préludes pour Orchestre'' (1958). ''Turner'' (1961) was a tone poem inspired by the English painter William Turner.
In 1963 Constant founded the pioneering Ensemble Ars Nova. In 1970 he took over the musical direction of the ORTF; from 1973 to 1978 he directed at the Paris Opera, and in 1988 and 1989 was Professor of Orchestration at the Paris Conservatory. Besides these appointments, he taught at Stanford University and in Hilversum. Later ballets include ''Septentrion'' (1975), ''Nana'' (1976) and ''L'ange bleu'' (1985). ''La tragédie de Carmen'' (1981), his adaptation of Bizet's opera for director Peter Brook, was an international success.
He 1983 wrote a Symphonie based on Claude Debussy's opera ''Pelléas et Mélisande''.〔(Presto Classical )〕 In 1987 he arranged the orchestral music for the ballet ''Les mariés de la tour Eiffel'', a pastiche by various French composers, for an ensemble of 15 instruments. In 1990 he also made an orchestral arrangement of the piano composition ''Gaspard de la nuit'' by Maurice Ravel.〔http://www.durand-salabert-eschig.com/formcat/catalogues/constant_marius.pdf〕
He died in Paris in 2004, aged 79.

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